Alpha Cohort Leadership: A Call to be Disciple-Makers

Alpha at Park ChurchAlpha is a series of open and informal conversations about life, spirituality, and the person of Jesus. Sessions take place over a meal at a home with a group of peers. Each session explores an element of the Christian faith with an emphasis on creating conversation.

On Sunday, June 29, Community and Formation Resident Jack Repenning shared with us about the opportunity and need for Alpha cohort leaders. Watch the video above, and learn more using the button below!

Alpha at Park Church

Psalm 5—Artwork

Learn more about Christ in the Psalms weekly artwork and see previous pieces here.

Person: Kari Langford

Kari Langford lives and works in Denver with a heart for creativity and connection. Guided by faith and a love for beauty in the everyday, she sees art as a way to reflect God’s light, to participate in God’s Kingdom, and to stir other souls to worship. When not painting, she might be enjoying a hike with her pup or reading with a cup of coffee in her hand.

Piece

“Listen to my words, Lord; consider my sighing.
Pay attention to the sound of my cry, my King and my God, for I pray to you.
In the morning, Lord, you hear my voice; in the morning, I plead my case to you and watch expectantly.”
(Psalm 5:1–3 CSB)

There is lament in these words. There is also rooted hope and trust in them. My piece is meant to depict that gap in between.

There are multiple layers showing light coming through a window, and more specifically, morning light. There are collaged layers of pattern that bring the element of complexity and history to the work. And finally, the forefront of the painting loosely reflects the dappling of shadow from the trees above. Both the deep, rich color and imprinted markings of the shadows correspond to the immense weight of my cry.

PROCESS: OIL PAINT & COLLAGE

Truly, the most beautiful part of this piece WAS the process, and how the Father guided me through. I wrestled with this painting. I started out with an idea of what I wanted it to look like, primarily a light, joyful flow of light coming in through a window, to depict the morning time when we take our prayers to Him. Something was not quite right, so I would paint layer over layer over layer – thinking the whole time that I was wasting time and paint.

But God…

I was sitting and listening one morning, and I sensed him beautifully show me: Kari this is prayer, this is how it works. The act of continuing to come to him morning after morning, thinking we are wasting our time, but He is creating something beautiful! The process of prayer and life with God does not always feel like things are happening—like it is “working”—and it certainly is not always light and joyful. I learned more about persistent prayer and lament throughout this process and ultimately came to a place of deeper trust in the One who is always Faithful, the One who hears every single prayer that we cry, scream, or whisper.

Psalm 4—Artwork

Learn more about Christ in the Psalms weekly artwork and see previous pieces here.

Person: Anna Armstrong

Art has always been a place of rest me, never my primary occupation or hobby, but always available for a peaceful moment of inspiration. I have lived in Denver over a decade and attended Park for most of that time. My husband and I met in here in Colorado and have two wonderful daughters, ages 3.5 and 1.5. I love the spending time being active outdoors. The hills, lakes, and trees are a magnet to God’s glory! Outside of home I lead people experience, culture, and communications at a health care start up.

Piece

I chose to focus my work on Psalm 4:8, “In peace I will both lie down and sleep; for you alone, O Lord, make me dwell in safety.”

This verse has been a comfort to me in the anxious nights of my teenage years, sleepless nights of young motherhood, and I now pray it over my daughters at bedtime.

I was struck with the image of a parent and child at bedtime, a beautiful evening swirling around. This is my humble attempt to portray that scene.

PROCESS: Acrylic

I typically take a more abstract approach so this piece was a departure from my comfort zone! In was a fun challenge to draw precise lines and mix the night colors with acrylic paint instead of my typical oil medium. I worked on this over a series of Saturday mornings with my daughter next to me painting her own “dark sky.”

Partner Highlight: Save Our Youth

Last Sunday, June 22, we were joined by Dan Frederick of Save Our Youth. Save Our Youth is a nonprofit organization that resources and pairs mentors with at-risk youth seeking mentoring relationships. Park Church has partnered with Save Our Youth for many years!

Watch the video above to learn more, but here are some highlights:

  • 16 individuals from Park Church are current Save Our Youth Mentors, serving youth in our city.
  • Park Church was able to host Save Our Youth’s graduation celebration for 10 High School and 4 College Graduates.
  • Gospel Communities, individuals, and Park Students provided a total of 25 Christmas boxes to help first-generation college students.

To learn more about Save Our Youth or to investigate becoming a mentor, please visit saveouryouth.org or reach out directly to Dan at dan@saveouryouth.org.

Behind the Art: Christ in the Psalms 2025

Written by the artist, Seth Coulter

Overview

I once heard that the Psalms engaged the full-stretch of what it meant to be human. That every emotion—every troubled tear, and every enraptured joy—was within the purview of this collection. At the time, I thought I understood what that meant. What I didn’t understand then was how far that stretch could go, and it was these ancient prayers that not only did the engaging, but a good measure of the stretching as well. They offered me that which I had not had the ability to articulate past a groan before. I found I had stored within my chest disquieted, dust-beset things—thinking them too unbecoming to offer to God—not knowing that they were in truth a lament or a jubilation shared by my brothers and sisters across the deep levels of time. I found I had been holding back whole stretches of myself—both desperations and passions. The Psalms revealed that these cries were indeed offer-able to God—that I was able to give all to Him—and to my surprise, in so doing, I found myself (with these Psalms in my mouth) weeping at the crowded space beneath the cross, rejoicing at the open tomb door. I was not alone in this. It was there in my weeping and rejoicing that I found a great collection of saints around me, gathered there as well. We were bound together in these prayers.

This thematic world lies at the heart of what I tried to construct for the Christ in the Psalms series artwork. The Psalms are the prayers of God’s people. As such they span time, space, interiority, and community. They are within us as they are with us. They bind us to a community within our age, and within ages upon ages. They, in essence, bind us to a bigger world.

“The Psalms, with a few exceptions, are not the voice of God addressing us. They are rather the voice of our own common humanity…about life the way it really is, for in those deeply human dimensions the same issues and possibilities persist. And so when we turn to the Psalms it means we enter into the midst of that voice of humanity and decide to take our stand with that voice. We are prepared to speak among them and with them and for them, to express our solidarity in this anguished, joyous human pilgrimage. We add a voice to the common elation, shared grief, and communal rage that besets us all.”
—Walter Brueggemann, Praying the Psalms

In this spirit of offering all (the full-stretch) through prayer to the God who would hear us, I decided to shape the banner-art around two overarching themes: Love and Suffering. These two categories (and the tension between them) uniquely seem to capture much of what humans face in the course of a life. I’ll say more about that quickly.

We desire to love and to love without end though we know in our bones that ends come: ends exist in a myriad of forms: the death of dreams, of relationships, of us. Death—as we think of it, would be the chiefest of all absurdities—it makes no sense to that which we in every way live for: love. Death is more than an inconvenience—it is confounding. It frustrates the very core of us despite its ubiquity. The Psalms do not shy away from any of this difficulty, and would teach us to pray through both of these major thoroughfares and into the smaller, quieter streets of the human emotional experience. To give voice to love, to suffering, and to the diapason between.

Even with the way the Psalms offer voice to our full stretch of love and suffering, we would still be left with a question—we would desire to ask the God we love, “what are you doing about this suffering? It is here that the Psalms do not stop, but go still further. The Psalms engage, stretch, and give voice to our love and suffering, but they do something more also—they point us to Christ. They point us to the Love that would seek to abolish suffering, even “unto death, even the death of the cross.

And so, the direction of our art is Love and Suffering, and it is there between the two that we find Christ. Christ in the Psalms.

Click the images above to see full-resolution versions.

Symbols

The above themes are expressed in the following ways:

Mingled Categories

It may be helpful to mention early that the banners themselves represent our arch-themes of “Love” (Left Banner) and “Suffering” (Right Banner). Though, the banners may (and should) be observed to be muddled: there are thorns on the left banner, and flowers also growing on the right. The Psalms present us with categories (ie: praise, lament, wisdom, imprecatory, etc.) but these are not clean categories. Likewise, these banners are not cleanly demarcated, as life is never wholly one thing or the other, but a complicated mix. The symbols, therefore, are mingled.

The Deer (or Stags)

A major symbolic device in this art are the deer. “As the deer longs for streams of water, so I long for you, O God.” This line from Psalm 42 gestures us towards the central point of the art, and I would argue the Psalter itself: we are creatures with longings, yet there is only One “place of water” where we might be truly refreshed. The Holy God Himself.

Yet sometimes in life we face various seasons, some extremely difficult. The antlered deer on the left is in one season, while the one on the right—now losing its antlers—is in another. We may consider the antlers as raiment, glory, health, or many other things—and in so doing, consider them as something positive (or, even something we may mistakenly attribute too much hope to.) The deer (or stags), may represent humanity, while also representing the Second Adam: Christ. I include the term “stags” not as an embellishment, but to connect us to other symbols in the worldwide church. Christ has been historically represented as a stag in Christian art: the Celtic church during the medieval period is a good example. This Christological connection in our banners can also be seen with the deer on the right who is bleeding from the side, an echo of Christ’s spear-wound during the Passion.

Left Banner: Arrows, Shield, and Rain

Focusing on the left banner, the shield above the deer’s head connects to imagery found in Psalm 3:3 and Psalm 28:7: God acting as “refuge” and “protector,” and offering—as seen in Psalm 91—a “shadow” of “shelter.”

There are 6 arrows falling down onto the shield to represent the incompleteness or chaos that pushes in on our lived experience (the number 6 is a common symbol of incompleteness in Scripture). Yet instead of the arrows destroying the deer, the shield halts them. Under the shield fall 5 raindrops: 5 is a repeated number in these banners as there are 5 books in the Psalter. Rain itself symbolizes the care and restorative love of God as in Psalm 68:9, “You sent abundant rain, O God, to refresh the weary land.” God is our refuge and restorer.

Right Banner: Jerusalem, Lillies, and Blood

We now switch our attention to the images on the right banner. This banner contains allusions to Jerusalem—a city of imagery itself: both joyfully triumphant and hauntingly desolate. Our minds here oscillate between exile and restoration, Babylon and Thy Kingdom Come, and between Caesar’s Rome and The New City of Revelation 21.

The deer on the right banner is bleeding from the side. Historically in Christian art, Christ’s spear-wound is always portrayed on His right side. Here, the wound’s bleeding falls upon a flower known as the Madonna Lilly that is native to the Jerusalem region. The blood keeps descending eventually to a skull. It is here in our banner’s symbolism that we see the blood of Christ being shed for the plight of humanity. The calamity which began in the Garden—seen vividly articulated through the laments and hopeful prayers of the Psalms—find restorative answer in the sacrifice and victory of Christ. In Christ now and in the Age to Come, is found the promised end to all calamities, “He will wipe away every tear from their eyes, and death shall be no more.” The full stretch of the human experience is set within the eschatological hope that was instantiated on Good Friday and Easter.

If the Garden is represented in the lower section, Jerusalem is alluded to in the higher section, though the city is seen as being incomplete (as the Psalmists would have known it). And so using this Psalmic imagery, we hold onto the reality of things being difficult in life, sometimes extremely so, and yet we are given a promise of a “kingdom without end” coming as God fulfills what He promised He would do.

Banner Borders: Chaos Waters and New Growth

Lastly, we end with two contrasting images that sum up what we have been discussing. The right banner is bordered with chaos waters. Chaos pushes in on us even as we walk with the God who hears our prayers, and acts with and for us. The chaos waters, though, are not the only thing to notice here. We also notice new life: seen in the flowers at the bottom of the banner, but also in the new shoots and leaves rising around the deer. Love and suffering intermingle—the Psalms give utterance to our everyday life as we look forward to the time when there will indeed be “no more tears. Likewise, on the left banner we see thorns, but beauty also. The roses remind us of the goodness of God and our ability to enjoy sweet things, even in wild places.

Closing Remarks

It is my hope that these art pieces and their symbols may in some way act as a kind of imaginative catalyst. That they may bring some of the beautiful and challenging themes of the psalms to our minds visually. These art pieces are an attempt to capture something of the width and breadth of the Psalter. The Psalms are not prayers of the wishful-thinkers, but rather prayers that are truly sustenance and refreshment for those in the dust, in the grit of the everyday. Prayers for those seeking God and willing to wrestle with Him—wrestle with Him until dawn reveals a brand new day.

Celebrating Juneteenth

Although many individuals and families have observed Juneteenth for generations, the holiday is newly-formalized and quite deserving of its increased observance nationally. Although the "what" and "why" of Juneteenth may be old news to you, we wanted to take a moment today to enjoy celebrating and remembering these things.

Two & a Half Years: Some History

Though the Emancipation Proclamation was issued in 1863, the news—and its enforcement—didn't reach Texas for another two and a half years, meaning many enslaved Africans continued to live under the evil of slavery. On June 19, 1865, Union troops arrived in Galveston, Texas and announced that all enslaved people were finally free.

How Can We Observe Juneteenth?

It is a day of celebration and jubilation, and a call for us as the church to remember (Exodus 3:7) and celebrate the liberation of our Black Brothers and Sisters (Psalm 133:1 & Isaiah 61:1), honor the perseverance and faith of the Black church throughout history. We also must mourn the very need for Juneteenth, grieving that slavery is part of our country’s history (Nahum 1:13). Juneteenth is more than an “official holiday.” For the Christian, it calls back to God’s commands for redemption among His people (Leviticus 25). God called the Hebrews to redemptive rest and worship (vv. 1–5), redemptive liberty (vv. 8–17), and redemptive justice (vv. 35–43). Scripture shows us that God’s plans are incompatible with prejudice and injustice. As God’s people, we are called to engage in His Kingdom work of justice.

Observing Together

Some of our singing this last Sunday, June 15, oriented around this celebration and our need to seek God’s redemption. You can see that moment of our service in the video above.

An additional Resource

We also wanted to share an article from The Gospel Coalition that has several informative ways to help us celebrate and participate in Juneteenth alongside others. As you enjoy this day, may you take time to reflect on what it means to have freedom, thank God for this freedom (for ourselves and for others), and pray that we would be a people who fight for this freedom for all peoples.

Psalm 3—Artwork

Learn more about Christ in the Psalms weekly artwork and see previous pieces here.

Person: LouAnn Summers

I am Brent’s wife for 45 years and mother of four children, grandmother of seven (+ 2 bonus). Along with fine arts, I enjoy photography and crafts of any type. If it’s creative, I enjoy it!

Piece

In this picture, I aimed to depict how there are many foes raining down to destroy us. Then when I considered a shield, I first thought about an umbrella. But that was too flimsy to protect us. Then I considered a metal umbrella. Ha ha, but that was a bit too difficult for me. And then it dawned on me that the way God has shielded me, delivered me and protected me even from his wrath, is through the blood of his son, Jesus! By dying on the cross, Jesus delivered me from every foe! In that sense, his blood shields me from all that opposes me.

When I am overwhelmed by what opposes me, Jesus lifts my sad, weary head to look into his eyes and to rest in his care!

PROCESS: Acrylic

This is an acrylic painting depicting some of my thoughts on the 3rd Psalm.

Psalm 2—Artwork

Learn more about Christ in the Psalms weekly artwork and see previous pieces here.

Person: Bruce Butler

I’m Bruce, and I’ve been part of Park for nearly 13 years. I’m married to Jamie Rosenberry, and we have a two-year-old and another child on the way (likely having arrived by the time you’re reading this!). I’ve worked as a Graphic Designer for about 13 years, originally freelancing under the name Wise Bison, and now full-time with The Fire and Smoke Society, a spice company known for its killer rubs. I also play guitar for Park and in two bands: Last Ditch and Our Violet Room. Outside of design and music, I co-manage Victory House, a sober living home within the Providence Network, and love specialty coffee, cooking for friends and family, and attending shows.

Piece

I chose Psalm 2 as the basis for this piece. The psalm describes nations rising in pride against God, only for God to laugh at their defiance. He establishes His Son—the Messiah—as heir to all nations, calling rulers to serve Him and to “kiss the Son” while rejoicing with trembling.

I represented this theme by illustrating six rebellions against God throughout history, using the number six symbolically—representing human incompleteness and our tendency to fall short. These are not all cases of atheism vs. Christianity, nor are they equivalent in scope or suffering. The six rebellions are:

  1. The Tower of Babel (Genesis 11)
  2. Pharaoh’s persecution of the Hebrews in Egypt (Exodus 7–12)
  3. The statue of Nebuchadnezzar (Daniel 3)
  4. The Roman Colosseum and Christian persecution (1st–3rd Century AD)
  5. The Crusades (1095–1291 AD)
  6. Christian Nationalism (present day)

The last two were/are carried out by people claiming to act in God’s name, but their actions in the name of Christ are antithetical to His teachings, with a complete lack of trembling and wisdom by their nation’s “kings.” Jesus, over and over, chose to disregard government, military, or any political movement as a means to achieve his goals, instead calling the Church to action through love. To clarify, there should be an overlap with the government’s pursuits and Jesus commands, like loving your neighbors, caring for the least of these, widows, and orphans, and so on, but Jesus never elected to use government as the means to carry out his mission.

Above these six examples is an enormous, ornate crown with an Alpha & Omega symbol at the crest, displaying God being the king, set apart and unfathomable. Radiating rays shine from the crown, symbolizing His ridicule of humanity’s vain attempts at power and control.

PROCESS: Digital Art

For the process, I used Adobe Illustrator for the line work, trying a few ideas but landing on this concept of the crown above 6 rebellions. Trying to represent them symbolically with minimal detail was a challenge, and after starting with two design styles with the symbols at the bottom, I paused and went to work on the crown, which was more fleshed out in my mind. After finishing that, the rest of the “rebellions” fell into place quickly. I brought that into Photoshop and tried a few textures, but the brilliant colors of the Final felt most fitting for the unfathomable God in His glory.

Psalm 1—Artwork

Learn more about Christ in the Psalms weekly artwork and see previous pieces here.

Person: Drew Button

Drew Button grew up in Colorado drawing pictures of animals and became interested in pen and ink artwork in high school. His first ‘sketchbook’ contained all the quintessential imagery you’d associate with an ’emo’. Drawing became a way for that angsty teenage Drew to reconcile his faith and morals with the world around him. Family members and teachers encouraged Drew down a creative path early on that has led him to where he is today; operating an art business alongside his wife, Emily here in Denver. His life as a husband, father and artist is a dream come true for that hopeless romantic emo version of his teenage self, lost in the tide of young adulthood. His works today still pull from the same themes as before but now include inspiration received from his wife and son; including but not limited to people, animals, Christianity, machines, architecture, landscapes and dinosaurs.

Piece

I call this piece ‘OA515’ (oasis) in response to Psalm 1’s presentation of two life paths for a person to live and walk. One path leads towards rootlessness and death, while the other towards a rooted, abundant, fruitful life in Christ. While reading Psalm 1, a ‘split screen’ image formed in my mind initially, giving the viewer a clear choice to walk down one path versus the other. Upon more readings, I began imagine an oasis in the desert, that one could step into our out of. This vision brought me closer to what you see in the drawing: an overlap of both realities in which we choose to live as sinners and believers. While we strive towards a life committed the Word and aligned with our Father’s desire for us to drink and eat of him, we still wander out into the heat and desolation of the world beyond the lush garden. We follow and become fixed to a windswept track that takes us swiftly towards our own desires. Therein lies the struggle and the choice. With His hand on our shoulder, we may yet again decouple ourselves from that sinful train of thought or action and find ourselves back at the water’s edge.

PROCESS: Ink Pen

I experienced a great challenge in creating this piece. Prior to drawing ‘OA515’, my collection of pens had accumulated a year’s worth of dust. Breaking the rhythm of churning out work, and finding space to let myself draw for Christ in the Psalms is something I haven’t done enough since I began working for myself. Once I began imagining the oasis in my drawing, it only became easier for me to come back to the drawing in order to finish it. I drew inspiration from my son’s current obsession with ‘choochey trains’ and our enjoyment of God’s gift of time. He gives us rest and shade where the palm trees sway, where the flamingos flock, and even in the city, where the trains trundle on the trestles over the trail, down by the river.

A Sabbatical for Joel Limpic

Joel Limpic, our Pastor of Liturgy and Arts since 2013, will be starting a three-month sabbatical next week. We’re glad for him to have this opportunity to pause and spend time with his family.

Sabbaticals provide a time to slow down, reconnect with Jesus, and focus on areas of healing, growth, and family life. We’re delighted to offer Sabbaticals to all full-time staff every seven years. This will be Joel’s second sabbatical.

It’s hard to communicate how thankful we are for the ways Joel has cared for and served our community. Please join us in prayer for Joel, Morgan, Tally, Alex, and Eleanor that this season will be restful and meaningful for them. We’ll miss them while they’re away and look forward to welcoming them back!