Joel Limpic, our Pastor of Liturgy and Arts since 2013, will be starting a three-month sabbatical next week. We’re glad for him to have this opportunity to pause and spend time with his family.
Sabbaticals provide a time to slow down, reconnect with Jesus, and focus on areas of healing, growth, and family life. We’re delighted to offer Sabbaticals to all full-time staff every seven years. This will be Joel’s second sabbatical.
It’s hard to communicate how thankful we are for the ways Joel has cared for and served our community. Please join us in prayer for Joel, Morgan, Tally, Alex, and Eleanor that this season will be restful and meaningful for them. We’ll miss them while they’re away and look forward to welcoming them back!
The squares feel as if they move from left to right and create a narrative. Perhaps only one square moves, but we see it pictured in a few “stages” of its journey? The dark square at the beginning (hidden in the fold of the large left triangle) and the dark square at the end (falling out of the larger right triangle) work as bookmarks in a journey: a start and an end. In particular, we may see a movement reminiscent of Genesis 3:19—from dust to dust; a falling like gravity.
Though the shapes furthest back in this composition are dark (perhaps representing original “dust,” as referenced in the Ash Wednesday piece), there is a lighter foreground, appearing as a sort of sash over the purple rectangle (Lent is traditionally represented with the color purple). Taken altogether, this purple rectangle can illustrate the tension we feel in this season: mortality and sin is right behind us, but in Christ we are truly wrapped in His righteousness and life. Furthermore, in the image, the black shape is separated from the purple rectangle by this white sash—just as we are ultimately separated from our sin and death. The question of “how is any of that possible?” is appropriately felt!
Bright yellow shouts of happiness are present, but as in the previous piece for Lent, dark shapes are furthest back in our image. The irony of Palm Sunday is clear—those who know the whole story can rejoice with a “Hosanna!” while knowing that “Crucify Him!” can come from the same place. We say with David “Unite my heart to fear Your name!” (Psalm 86:11). This art piece also shows a white shape entwined above, between, and below the other shapes. As in our piece for Lent, I see this white “path” representing the presence and foreknowledge of Christ in all of the happenings of Holy Week (and how it plays out in our hearts today).
As we get to this piece, all instances of light and warmth are gone. The black present in the other pieces is now the entire background. The white shape and/or path from the previous pieces has turned purple, and is wrapped in red and black serpentine forms. The white turned purple illustrates the royalty of Christ in His death (his upside-down throne). The red and back illustrate the hatred, the sin, and curses that fell on Him in this moment. It’s an entangling, suffocating mess, but the shape representing Jesus is shown as larger as the other shapes, extending well past them and even turning to “see” them. His sovereignty is unaffected.
As you view this piece, I challenge you to picture it as “zoomed out” in comparison to the other pieces. Imagine that its scope has to be much larger! Shapes of yellow and black that previously seemed central are now laying small against a massive, layered backdrop that’s bright with the shades of a dawn sky. The white from earlier pieces now wraps around the sky and amongst the shapes on the ground, even supporting the yellow and black shapes. It’s as if the whole “stage” is now visible, and the end is clear.
