Learn more about Christ in the Psalms weekly artwork and see previous pieces here.

Person: Bruce Butler

I’m Bruce, and I’ve been part of Park for nearly 13 years. I’m married to Jamie Rosenberry, and we have a two-year-old and another child on the way (likely having arrived by the time you’re reading this!). I’ve worked as a Graphic Designer for about 13 years, originally freelancing under the name Wise Bison, and now full-time with The Fire and Smoke Society, a spice company known for its killer rubs. I also play guitar for Park and in two bands: Last Ditch and Our Violet Room. Outside of design and music, I co-manage Victory House, a sober living home within the Providence Network, and love specialty coffee, cooking for friends and family, and attending shows.

Piece

I chose Psalm 2 as the basis for this piece. The psalm describes nations rising in pride against God, only for God to laugh at their defiance. He establishes His Son—the Messiah—as heir to all nations, calling rulers to serve Him and to “kiss the Son” while rejoicing with trembling.

I represented this theme by illustrating six rebellions against God throughout history, using the number six symbolically—representing human incompleteness and our tendency to fall short. These are not all cases of atheism vs. Christianity, nor are they equivalent in scope or suffering. The six rebellions are:

1. The Tower of Babel (Genesis 11)
2. Pharaoh’s persecution of the Hebrews in Egypt (Exodus 7–12)
3. The statue of Nebuchadnezzar (Daniel 3)
4. The Roman Colosseum and Christian persecution (1st–3rd Century AD)
5. The Crusades (1095–1291 AD)
6. Christian Nationalism (present day)

The last two were/are carried out by people claiming to act in God’s name, but their actions in the name of Christ are antithetical to His teachings, with a complete lack of trembling and wisdom by their nation’s “kings.” Jesus, over and over, chose to disregard government, military, or any political movement as a means to achieve his goals, instead calling the Church to action through love. To clarify, there should be an overlap with the government’s pursuits and Jesus commands, like loving your neighbors, caring for the least of these, widows, and orphans, and so on, but Jesus never elected to use government as the means to carry out his mission.

Above these six examples is an enormous, ornate crown with an Alpha & Omega symbol at the crest, displaying God being the king, set apart and unfathomable. Radiating rays shine from the crown, symbolizing His ridicule of humanity’s vain attempts at power and control.

PROCESS: Digital Art

For the process, I used Adobe Illustrator for the line work, trying a few ideas but landing on this concept of the crown above 6 rebellions. Trying to represent them symbolically with minimal detail was a challenge, and after starting with two design styles with the symbols at the bottom, I paused and went to work on the crown, which was more fleshed out in my mind. After finishing that, the rest of the “rebellions” fell into place quickly. I brought that into Photoshop and tried a few textures, but the brilliant colors of the Final felt most fitting for the unfathomable God in His glory.

Learn more about Christ in the Psalms weekly artwork and see previous pieces here.

Person: Drew Button

Drew Button grew up in Colorado drawing pictures of animals and became interested in pen and ink artwork in high school. His first ‘sketchbook’ contained all the quintessential imagery you’d associate with an ’emo’. Drawing became a way for that angsty teenage Drew to reconcile his faith and morals with the world around him. Family members and teachers encouraged Drew down a creative path early on that has led him to where he is today; operating an art business alongside his wife, Emily here in Denver. His life as a husband, father and artist is a dream come true for that hopeless romantic emo version of his teenage self, lost in the tide of young adulthood. His works today still pull from the same themes as before but now include inspiration received from his wife and son; including but not limited to people, animals, Christianity, machines, architecture, landscapes and dinosaurs.

Piece

I call this piece ‘OA515’ (oasis) in response to Psalm 1’s presentation of two life paths for a person to live and walk. One path leads towards rootlessness and death, while the other towards a rooted, abundant, fruitful life in Christ. While reading Psalm 1, a ‘split screen’ image formed in my mind initially, giving the viewer a clear choice to walk down one path versus the other. Upon more readings, I began imagine an oasis in the desert, that one could step into our out of. This vision brought me closer to what you see in the drawing: an overlap of both realities in which we choose to live as sinners and believers. While we strive towards a life committed the Word and aligned with our Father’s desire for us to drink and eat of him, we still wander out into the heat and desolation of the world beyond the lush garden. We follow and become fixed to a windswept track that takes us swiftly towards our own desires. Therein lies the struggle and the choice. With His hand on our shoulder, we may yet again decouple ourselves from that sinful train of thought or action and find ourselves back at the water’s edge.

PROCESS: Ink Pen

I experienced a great challenge in creating this piece. Prior to drawing ‘OA515’, my collection of pens had accumulated a year’s worth of dust. Breaking the rhythm of churning out work, and finding space to let myself draw for Christ in the Psalms is something I haven’t done enough since I began working for myself. Once I began imagining the oasis in my drawing, it only became easier for me to come back to the drawing in order to finish it. I drew inspiration from my son’s current obsession with ‘choochey trains’ and our enjoyment of God’s gift of time. He gives us rest and shade where the palm trees sway, where the flamingos flock, and even in the city, where the trains trundle on the trestles over the trail, down by the river.